Los Angeles-based artist Penny Slinger’s exhibition coincides with the 50-year anniversary of her 1971 artists’ book and collage series 50% The Visible Woman and launches an expanded edition of the publication.

Umar Rashid’s paintings, drawings, and sculptural work continues his 15-year-long documentation of the fictitious history of the Frenglish Empire (1648-1880).

São Paulo-based artist Sonia Gomes combines found and gifted textiles with driftwood, fishnet, thread, and wire in multi-dimensional compositions that reclaim the Afro-Brazilian experience.